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People Are People
Depeche Mode
A synth-pop protest with a direct title, marching rhythm, and a message about prejudice that remains simple enough for group participation.
Planet Claire
The B-52's
Planet Claire works as a steady new wave selection rather than an automatic party anthem. This is a deeper cut for listeners…
Private Idaho
The B-52's
Private Idaho works as a steady new wave selection rather than an automatic party anthem. This is a deeper cut for listeners…
Psycho Killer
Talking Heads
A tense new-wave classic that mixes nervous funk, deadpan menace, a repeated title, and a sudden French-language bridge.
Pulling Mussels (From the Shell)
Squeeze
A witty British new-wave favorite with quick scenes and a highly recognizable title.
Puttin’ on the Ritz
Taco
A flamboyant 1980s revival of an old standard, filled with theatrical diction, costume energy, and a title made for exaggerated elegance.
Rebel Yell
Billy Idol
A high-energy 80s rock anthem with aggressive phrasing and a soaring chorus.
Relax
Frankie Goes to Hollywood
A provocative synth-pop command with a pounding groove, a famous title, and a performance style built on controlled tension rather than innocence.
Rio
Duran Duran
A bright new-wave favorite with clipped phrasing, a memorable hook, and strong nostalgic appeal.
Rock Lobster
The B-52’s
A wildly theatrical new-wave party song with spoken sections, screams, and surf-rock chaos.
Rock Me Amadeus
Falco
A manic German-language pop-rap tribute whose rapid names, historical references, and shouted hook demand fearless timing.
Roxanne
The Police
A Police classic with a famous chorus but demanding high notes.
Save It for Later
The English Beat
A restless ska-new-wave favorite with tangled phrases, emotional frustration, and a title that carries both urgency and double meaning.
Secret
Orchestral Manoeuvres in the Dark
A delicate OMD synth-pop confession with soft verses, a private title, and romantic tension that depends on understatement.
Send Me an Angel
Real Life
A moody synth-pop plea that moves from guarded verses to a soaring title hook about risking love again.
She Blinded Me with Science
Thomas Dolby
A witty synth-pop novelty song with spoken scientific interruptions, rapid verses, and a chorus that rewards full comic commitment.
Shout
Tears for Fears
A dramatic 80s song with a simple chorus and steady build.
Smalltown Boy
Bronski Beat
A synth-pop story of escape whose danceable pulse carries bullying, isolation, and the pain of leaving home to survive.
So in Love
Orchestral Manoeuvres in the Dark
A polished OMD breakup song with elegant synths, a yearning title, and hurt that stays controlled even as the chorus expands.
Somebody’s Watching Me
Rockwell
A paranoid pop classic with whispered fear, a massive chorus, and backing vocals that make the suspicion feel larger than life.
Someday, Someway
Marshall Crenshaw
A concise power-pop gem with an easy rhythm and a chorus that feels instantly familiar.
Strobe Light
The B-52's
Strobe Light is a steady new wave pick by The B-52's, best approached as its own performance. This is a deeper cut…
Suddenly Last Summer
The Motels
A hazy new-wave memory song whose drifting verses and repeated title capture the strange feeling of a season ending too soon.
Sunglasses at Night
Corey Hart
A brooding pop-rock hit built on a stubborn synth pulse, dramatic coolness, and a title line everyone can picture immediately.